A storm of public outrage and social media debate is brewing over the Despite Automobile Museum’s steep entry fee of GH¢200 per hour, with visitors further incensed by a strict no-photo policy inside the premises.
Located in East Legon, the museum — established by business magnate Osei Kwame Despite — boasts a luxurious collection of exotic vehicles and vintage classics.
But recent revelations about its pricing and restrictions have triggered widespread criticism, especially among potential visitors who feel priced out of the experience.
Adding fuel to the fire, visitors are reportedly not allowed to take photos or videos of the cars after paying the high entry fee — a move that many consider both unexpected and unreasonable, given the museum’s allure is largely visual.
Public Discontent Goes Viral
Social media has been flooded with sarcastic and critical reactions. One user, Vincent Ofori Kennison, quipped, “Pay GH¢200 to watch cars? It takes less to prepare fufu with light soup.”
Another, Governor Moses, joked, “I’ll rather use my GH¢200 to buy two bags of cement and mould blocks.”
Several others questioned the rationale behind the pricing structure. “So after an hour dem go sack you or what?” one commenter asked, while another fumed, “Just to go and watch cars and pay GH¢200… I go take go nightclub.”
Some, like Belinda Akuinor, vowed never to visit: “Only me and my soul will not step there. Apuuu! I’ll Google and watch it online.”
Museum Responds: “Target Audience”
Defenders of the policy argue that the museum has a specific audience in mind—one that can afford the luxury experience. “He has his targeted audience,” one commenter pointed out.
“If you don’t fall within it, like me, just dey your dey.”
One social media user also clarified that photo opportunities are available in designated zones, including a ride in a Tesla Cybertruck from the reception to the main museum hall — but that comes at an extra cost of GH¢800 per ride, though groups can pay GH¢100 per person.
Broader Conversation on Class and Access
The uproar over the Despite Automobile Museum has sparked a broader conversation about class, accessibility, and value for money in Ghana. Many Ghanaians are questioning whether public attractions should cater exclusively to the elite or offer more inclusive pricing for students and average citizens.
One user, Joseph Bawa, who lives in Dubai, summed up the sentiment: “We see more luxurious cars for free on the streets here. Why should I pay to watch someone’s cars?”
As the debate continues, one thing is clear — the museum has succeeded in drawing national attention, though not all of it is positive. Whether management will revise its policies in light of public feedback remains to be seen.
